4 or 5 Books I Read in May 2019

My reading was haphazard in May, to say the least. I read snippets of several books here and there. I read three books, listened to one book, and read 35% of another one before it had to go back to the public library. I’m having some issues with my computer, but here goes.

The First Conspiracy:  The Secret Plot to Kill George Washington, by Brad Meltzer and Josh Mensch

The First Conspiracy: The Secret Plot to Kill George Washington, by Brad Meltzer and Josh Mensch

I love learning things, and it’s amazing how much I don’t know at my age. One thing I learned from this book seems so basic I’m embarrassed to admit I didn’t know it. In my history studies I didn’t learn that the Continental Congress created the Continental Army in 1775. In my mind, I assumed the Continental Army was formed after the signing of the Declaration of Independence in 1776.

The First Conspiracy:  The Secret Plot to Kill George Washington, by Brad Meltzer and Josh Mensch is almost a day-by-day telling of American Revolutionary history with focus on the little known facts of the things that happened in the shadows – behind the scenes. I minored in history in college, but I didn’t know about the conspiracy to kill George Washington as Commander of the Continental Army.

Most of what I knew about William Tryon was how he robbed the citizens of North Carolina blind to build “Tryon Palace” in New Bern, North Carolina while he served as the colony’s governor. I knew he left that position to take the more lucrative office of governor of the New York colony.

One thing I learned from The First Conspiracy was how Tryon was ruthless in his dealings with the rebels in New York and how he continued on that mission even after taking refuge in a British ship in New York Harbor.

An amusing part of the book was the description of the arrest and questioning of the four men who had decided to print paper currency in secret for the colonies. They hadn’t agreed on an alibi, so each one had a different explanation than the others and, of course, one denied having any knowledge of the printing press in the attic.

I’d read about 70% of the book before it had to be returned to the public library because another patron was waiting for it. I’ll check in out again later in order to read the rest of the story.

The Waxhaws, by Louise Pettus, assisted by Nancy Crockett

The Waxhaws, by Louise Pettus with Nancy Crockett

I wish I’d known in 1983 to purchase a copy of this book when it was published. Now, if you can find a copy to buy, it will likely cost you more than $150. I was delighted to find a circulating library copy in May, and I devoured the content.

This book, more than anything else I’ve read, helped me get a feel for life in The Waxhaws just south of the North Carolina-South Carolina border in colonial times. I hope I’m able to communicate that sense of place and time in my historical novel, The Doubloon, which primarily takes place in that Carolina backcountry settlement in 1769-70.

Anyone interested in day-to-day life in colonial America owes Louise Pettus and Nancy Crockett a debt of gratitude for all the South Carolina history they preserved and shared with each other and their readers.

The Mother-in-Law, by Sally Hepworth  

The Mother-in-Law, by Sally Hepworth

I’ve become a fan of Sally Hepworth’s novels, so I got on the wait list for her latest book as soon as it showed up on the “on order” list on the public library’s online catalog. I’ve read all her novels except The Secrets of Midwives.

This novel will keep you guessing “who dunnit.” Everyone seems to have issues with the mother-in-law. Her daughter-in-law tells this story. She has issues with her mother-in-law. So does her husband, his sister, his sister’s husband. It seems like most people who come in contact with the mother-in-law have a hard time dealing with her quirks and aloofness.

There is a totally different side the mother-in-law shows the people she helps through her volunteerism, though. It’s difficult for her family members to understand this part of her life because it seems out-of-character.

As the reader begins to learn the mother-in-law’s backstory, he or she will understand what made her the way she is or was. She’s found dead in her home. Who killed her? You might be surprised.

The Personal Philosophies of Remarkable Men and Women, edited by Jay Allison and Dan Gediman in association with NPR (National Public Radio)

I listened to this book. It contains “This I Believe” essays written by people from all walks of life. Some are or were famous, others I had not heard of. Among those whose essays are in this current audio collection are Helen Keller, John McCain, Oscar Hammerstein II, William O. Douglas, Albert Einstein, Leonard Bernstein, Martha Graham, John Updike, Carl Sandburg, Jackie Robinson, Eleanor Roosevelt, Gloria Steinem, Colin Powell, Helen Hays, and Bill Gates.

The Afterword by Dan Gediman gives the history of This I Believe. The original book contained 100 essays and was done by legendary journalist Edward R. Murrow. The first of the essays was broadcast on radio on Easter Sunday in 1949.

In a nutshell, the This I Believe essays are supposed to be about “the guiding beliefs by which they live their lives.” They are short, being about five minutes long.

One of the goals of the This I Believe organization is “to facilitate a higher standard of public discourse.”

If you wish to know more about this international organization, visit

https://thisibelieve.org/.

Stony the Road:   Reconstruction, White Supremacy, and the Rise of Jim Crow, by Henry Louis Gates, Jr.

Stony the Road: Reconstruction, White Supremacy, and The Rise of Jim Crow, by Henry Louis Gates, Jr.

I learned a lot from this book. I knew I would. Henry Louis Gates, Jr. is an icon when it comes to history. I only had time to read the first two chapters of Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow, before it disappeared from my Kindle and went back to the public library. (Don’t worry. I immediately got back on the wait list for it so I can continue reading it.)

Look for my blog post next Monday about the important lesson I learned as a writer while reading Stony the Road. It wasn’t a lack of interest that caused me to read only two chapters. It was a case of “too many books, so little time” and the fact that I dedicated most of my time to writing instead of reading in May.

Since my last blog post

Since last Monday’s blog post, we jumped right over spring and went into summer. Last week it was 95 degrees on five days and 94 on the other two. According to the calendar, summer begins in three weeks. We have gone from too much rain to no rain in about three weeks. I’d rather have heat and drought than flooding or tornadoes like they’re having in the central part of the US, so I’m not complaining.

I got some good feedback about last Monday’s blog post. Thank you, Jules Horne and all the others who took the time to comment on here and on my Facebook pages.

Until my next blog post

A couple of weeks ago I read that a blogger should use second person point-of-view instead of first person. There are too many rules. I’ll try to do better in the future.

If you’re a writer, I hope you have quality writing time and your projects are moving right along.

Thank you for reading my blog. You could have spent the last few minutes doing something else, but you chose to read my blog.

Let’s continue the conversation

Have you read any of these books? If so, please share your thoughts below. What are you reading?

Janet

How Listening to a Book and Reading a Book Differ

Photo by William Iven on Unsplash

Until I read Jules Horne’s guest post on Jane Friedman’s March 25, 2019 blog,https://www.janefriedman.com/writing-for-audio-understanding-attunement/ ­­­­­ , I had not considered how a listener of an audio book approaches a book as opposed to how a reader of the printed word approaches a book.

Jules Horne teaches method writing. She has even written a book about writing books for the audio audience:  Writing for Audiobooks:  Audio-first for Flow and Impact. I haven’t read it but maybe I should. If you’re interested in finding out more about Ms. Horne and her books, her website is https://www.method-writing.com/. Most of her work appears to pertain more to nonfiction than to fiction writing, but her guest post on Jane Friedman’s website gave me some things to consider as I write fiction.

I’m fairly new to listening to audio books. It’s a matter of personal preference, and it stems from how I learn things. I’m a visual learner, as a rule. A few years ago, having to listen to a book being read was torture for me. I felt like someone was talking “at” me and they wouldn’t shut up. It got on my last nerve. This became an issue because my sister is my traveling companion. She loves audio books and I hated them. That’s not a good combination on a vacation.

Over the past six or eight months I’ve made an attitude adjustment. I’ve listened to several books and enjoyed the experience for the most part. I am hearing impaired, so it is helpful to me for there to be few erratic changes in volume. That goes for people talking to me, the decibel levels on the TV, and very much so if I’m listening to an audio book.

All that being said, that’s not what today’s blog post is about. It’s about something called attunement. The above-referenced blog post by Jules Horne brought two important things to my attention as I learn the fine points of writing:

(1)          If the hook of your story is in the first several words of your book, the audio book listener might miss it. It takes a few words for a book listener to attune their ears to the sound of the reader’s voice – the volume, the pitch, the accents, and the cadence. A writer doesn’t want the book listener to miss the hook; and

(2)          The same thing applies to the transition into the next scene and the next chapter. The listener, more than the printed word reader, needs a few words of transition to ease into a new scene or point-of-view.

A comparison Ms. Horne makes is that of someone verbally giving us the news. Words like, “meanwhile” or “in other news” alert the listener to a switching of gears, a change in the story. Someone listening to a novel needs similar cues that give their brains a moment to prepare to hear something new.  

The current opening line in the manuscript for the Southern historical novel I’m writing, The Doubloon, is

“Sarah McCorkle dropped her sewing basket at the sight of her husband lying face down between the stone hearth and his desk, sending thread, needles, and thimbles crashing and scattering on the wide planks of the pine floor.”

After reading Jules Horne’s thoughts about writing for audio, I need to rethink that sentence as well as the opening sentences for each of my chapters and scenes. There are a multitude of things a writer has to keep in mind when editing the first (otherwise known as the “rough”) draft. I plan to address some of them in my blog post next Monday.

Since my last blog post

I let my rough draft of The Doubloon rest for several days, and then I started working on the second draft. I changed the timing of an event mentioned on the first page, and that meant adjusting references to that event throughout the rest of the book. 

Getting this book published is going to be a long process, but please stay tuned.

Until my next blog post

I hope you have a good book to read. I’m reading The Mother-in-Law, by Sally Hepworth and Stony the Road:  Reconstruction, White Supremacy, and the Rise of Jim Crow, by Henry Louis Gates, Jr. I’m listening to The Personal Philosophies of Remarkable Men and Women compiled by NPR (National Public Radio.)

If you’re a writer, I hope you have quality writing time and your projects are moving right along.

Thank you for reading my blog. You could have spent the last few minutes doing something else, but you chose to read my blog.

Let’s continue the conversation

Do you prefer listening to audio books or reading the words yourself?

Do you prefer holding a book in your hands and turning a paper page or reading a book on an electronic device?

What do you think of the current “hook” in my novel? Do you think it would work as well if you were hearing it instead of reading it?

Janet