#FixYourNovel #3: Reading, Listening, or Watching a Novel?

Personal experience tells me it is a rare novel that will hold my attention well enough to be listened to instead of being read in printed form. I came to that conclusion as I wrote my September 2, 2019 blog post. In case you missed it, I wrote about two books I read in August and the audio book I stopped listening to at the halfway point. Here’s a link to that post:  https://janetswritingblog.com/2019/09/02/3-5-of-the-5-5-books-i-read-in-august-2019/.

Since then, I’ve had several good experiences with audible books. I enjoyed listening to Before I Let You Go, by Kelly Rimmer and The Fifth Column, by Andrew Gross in September (https://janetswritingblog.com/2019/10/07/thrillers-and-a-dark-novel-i-read-last-month/) and The Stationery Shop, by Marjan Kamali this month.

I’ve come to the conclusion that, second to the quality of the writing itself, the verbal delivery of the audio book professional reader is of utmost importance. If I start to listen to a book but find the voice of the reader to be irritating or the volume of the reader’s voice is all over the place, I can’t continue to listen. I’m hearing-impaired, so I appreciate a steady volume on TV, the radio, music, and audio books.

We all learn in different ways, and I think my own non-scientific experiment in reading vs. listening demonstrates that fact. Taking that train of thought another step tells me that the same is surely true for children and how they learn. For children who have trouble reading, what if their textbooks could be available in audio? It seems to me this is worth a try.

Today’s blog post is the third in a series of posts I’ve written or plan to write about specific steps a novelist should take in the process of taking a manuscript on the journey from rough draft to publication.

Here are the links to the earlier blog posts in my #FixYourNovel series:

https://janetswritingblog.com/2019/07/15/fixyournovel-2-scene-outline/

https://janetswritingblog.com/2019/05/27/fixyournovel-1-read-it-aloud/

What’s the “listenability” of this novel?

In case you’re wondering, yes, “listenability” is a real word. I thought I’d coined a new word, but then I found it in the dictionary. What I mean by “listenability” is this:  Does this book give the same depth of reading experience in audio form as it does in printed format?

With what I recently learned about the difference in reading a book and listening to a book, I need to look at the hook and scene and chapter beginnings in the novel I’m writing to see if they work well for the book listener. This prompted me to do a little research.

Writing advice from Jules Horn

I first brought up this issue in my May 13, 2019 blog post, https://janetswritingblog.com/2019/05/13/how-listening-to-a-book-and-reading-a-book-differ/. In that blog post I referenced a piece Jules Horn wrote about attunement. Ms. Horn is an expert on method writing. Her website is https://www.method-writing.com/.

She read my May 13 blog post and took time to respond to my invitation for my blog readers to give me feedback on the opening line of my novel manuscript. I was thrilled to hear from her, as she graciously gave me specific advice about the sentence I’d written.

Ms. Horn recommended that, with audio in mind, I consider breaking up the sentence. She pointed out that breaking up the sentence into two or more sentences would help the reader to “see” each part of it. To refresh your memory, here’s the way I had written the opening of my manuscript as referenced in my May 13, 2019 blog post:

“Sarah McCorkle dropped her sewing basket at the sight of her husband lying face down between the stone hearth and his desk, sending thread, needles, and thimbles crashing and scattering on the wide planks of the pine floor.”

Ms. Horn told me that it would be easier for the reader to “see” each part of that sentence if I broke it down as if in camera shots. She also gave me a link to another post on her website to reinforce this recommendation: https://www.method-writing.com/camera-shots-advanced-fiction-technique/. She even suggested I try performing the opening of my manuscript. (Watch out, Hollywood, here I come!)

Research statistics

Sandra Beckwith’s August 21, 2019 blog post, “5 Way to Make Your Book Relevant to the Media” on the Build Book Buzz website (https://buildbookbuzz.com/5-ways-to-make-your-book-relevant-to-the-media/) included a link to an April 24, 2019 press release by Michele Cobb, Executive Director of Audio Publishers Association.

That press release reported that a 2019 survey conducted by Audio Publishers Association and The Infinite Dial Survey by Edison Research and Triton Digital found that 50% of Americans 12 years old or older have listened to an audiobook.

This growing trend is partially due to the advances in technology which have enabled publishers to distribute books in numerous formats. We’ve gone from the founding of the company Books on Tape in 1975 to people in 2019 being able to listen to books wirelessly on various electronic devices. (That probably sounds like a long time to you, but those 44 years have flown by for me. I graduated from college in 1975.)

Chad R. Allen’s writing advice

In an email named “My Top Piece of Writing Advice” on August 7, 2019, Chad R. Allen stated that his top piece of advice for writing is to “be concrete.” The email focused on a third way to look at a novel’s manuscript:  “Is it filmable? If a piece of writing is filmable, you can be sure it’s concrete.”

Mr. Allen is a writer, editor, speaker, and writing coach. He compared types of writing to a pyramid. Abstract writing (writing that “doesn’t show or engage the imagination”) is at the top. He wrote, “The bottom of the pyramid is concrete writing. It shows or illustrates. It does engage the imagination; it helps me to see (or hear or smell or taste or touch) something.”

My favorite of the points Mr. Allen made in his email are the following:

“The best communicators (I think this is probably true of speakers and writers) push as much of their content to the bottom of the pyramid as possible.”

“But more often than not the way to engage readers and hold their interest is to invite them into a scene.”

“Your job as a writer is to create an experience the reader doesn’t want to quit. Often the best way to do that is with concrete writing.”

Mr. Allen gives the following examples of concrete writing:  stories, metaphors, illustrations, dialogue, images, and sensory writing (writing that engages the five senses.)

That brings us back to Mr. Allen’s statement, “Is it filmable? If a piece of writing is filmable, you can be sure it’s concrete.”

I don’t want to steal all Mr. Allen’s thunder, but he made numerous good points in his email that I want to hold onto.

He related an example from Natalie Goldberg’s Writing Down the Bones in which she wrote about enjoying a story someone told her. When she repeated the story to her friends, they found it boring. She later realized that the difference was that she was telling the story from the outside. Her friend had told her the story from the inside out.

Mr. Allen wrote in his email, “In other words, get into the narrative. Write it from the inside so that others can experience it with you. Don’t just convey information. Get into it and invite readers to get into it with you.”

Chad Allen offered incredible advice in his August 7, 2019 email to me, including the following:  “Do a story/image audit of a given chapter. Note the places where you go on for a while without a story or image or sound, and try to find ways to add them in. Even better: replace the non-narrative material with narrative material.

“If you’re writing history, instead of recounting facts, try imagining a scene and bringing us into it. David McCullough and Jeff Shaara have made a career of this.

“Ask yourself, ‘Is there a way to unpack this principle with a story or metaphor or illustration?’ A metaphor or image can do a lot of work for you.

“As you shape your content to be more and more concrete, you’ll be creating an experience that readers relish.”  

As I continue to evaluate every scene in my manuscript for The Doubloon, I think about how each one would come across on the written page and how it would sound if in an audio recording.

Mr. Allen’s website is https://www.chadrallen.com/.

What about a podcast?

Here’s another possibility: podcast your blog or your book. I haven’t ventured into the world of podcasting, but here’s an interesting and encouraging article presented by Nina Amir and written by Jay Artale about using a podcast as a way to market your book or get your blog out to people who prefer audio content to the written word: https://howtoblogabook.com/free-podcast-share-book-blog-content/. There is much to consider, but Ms. Artale makes it sound like it’s not as difficult as I thought. There are free software programs to get you started. It’s something for bloggers to consider.

Since my last blog post

Last week I had the good fortune of listening to a virtual summit for authors. It was hosted by Tara R. Alemany of Emerald Lake Books (https://emeraldlakebooks.com/) and Mark Gerber of Emerald Lake Books. It was free! All I had to do was sign in on my computer, listen, and take notes. Each weekday there were four sessions on a wide range of topics of interest to writers.

In addition, on Tuesday, I listened to a free webinar hosted by Author Accelerator (https://www.authoraccelerator.com/.) It highlighted OneStopForWriters.com’s “Character Development Tool.” (A subscription is required in order to access OneStopForWriters.com’s resources.)

Many of the features of the “Character Development Tool” duplicate some of the processes I’ve already gone through on the historical novel I’m writing, but I can see it could potentially help me make sure my protagonist has an arc. Look for more on that in my blog post about Characterization, tentatively scheduled for November 11, 2019.

After five consecutive days of listening to and watching the virtual summit and Tuesday’s webinar, I thought my brain might explode. That didn’t happen until Saturday, when my computer refused to let me download photographs from my hard drive to my blog.

A blogger should always have a “Plan B,” and that’s where I had to go this weekend. Today’s blog post was partially written and planned for a few weeks from now. I pulled it out and prepared it for today. As I write this, I’m unable to insert photo from my hard drive into my WordPress.com blog post. I’ve read that a blog should have at least one image, but this one will not. It’s not from my lack of trying.

The reason I had to go with “Plan B” is that today’s scheduled blog post was “Great Smoky Mountains, Revisited – Part 1,” and it was going to include numerous photographs. I hope to use it next Monday, if I can get the bugs worked out of my computer.

Until my next blog post

I hope you have a good book to read. I’m reading The Turn of the Key, by Ruth Ware.

If you’re a writer, I hope you have quality writing time.

Thank you for reading my blog. You could have spent the last few minutes doing something else, but you chose to read my blog.

Let’s continue the conversation

Would you rather listen to or read a book? Would you rather listen to a podcast of a blog or read the blog?

Janet

Thrillers and a Dark Novel I Read Last Month

In my first blog post each month I usually write about the books I read the previous month. This month is no different. I’ve read and enjoyed many historical novels this year. My second favorite genre is thrillers. In September I got to read two newly released historical thrillers. I hope you’ll find at least one book in the following list that you’d like to read.

One Good Deed, by David Baldacci

2019 #thriller by #Baldacci
One Good Deed, by David Baldacci

I decided to read David Baldacci’s latest thriller, One Good Deed, because it’s been quite a while since I read one of his books. This was a good one for me to choose, because Baldacci introduces a new protagonist in this novel. Aloysius Archer is a World War II veteran and has just been released from prison after serving a term for a crime he did not comment.

Archer is a good-hearted man who, for various reasons, continues to make bad decisions throughout the book. His heart is always in the right place, though, so the reader forgives him for those poor choices and pulls for him to come out on top and not end up in prison again. He befriends a detective, Irving Shaw, who immediately sees the traits in Archer that would make him a good detective.

There are a few murders and a couple of people disappear along the way, but Archer never gives up on finding the truth – even when it means he must accept the fact that he is easily suckered in by a pretty face. It’s a real page-turner that I read in one weekend. Those of you who know it sometimes takes me two months to read a book will appreciate what a high compliment that is for One Good Deed.

Before I Let You Go, by Kelly Rimmer

Two sisters. One baby. An impossible choice.
Before I Let You Go, by Kelly Rimmer

I listened to Before I Let You Go, by Kelly Rimmer on CD. It was a dark story about how one sister dealt with her sister’s drug addiction. It is a timely subject, and the book demonstrates how very difficult tough love is.

For me, the book repeatedly brought to mind a case of drug addiction in my family and how one lethal overdose can leave a family in a dark pit that is perhaps impossible to climb out of. The subject matter wasn’t pleasant to read, but the bonds of family were well demonstrated.

The storyline of this novel includes the birth of an innocent baby. The infant has to go through painful withdrawal before it can become healthy enough to thrive.

Someone Knows, by Lisa Scottoline

A secret kept by #teens.
Someone Knows, by Lisa Scottoline

I really wanted to like this novel, but it was just too much work for me. The story is told from 10 points-of-view. I couldn’t keep that many main characters straight in my mind.

The plot line might appeal more to a young adult audience because it revolves around some mistakes made by a group of teens and the secret they have to live with.

The Fifth Column, by Andrew Gross

A #thriller about #NaziSympathizers in the US in #1939.
The Fifth Column, by Andrew Gross

The Fifth Column is Andrew Gross’ latest thriller. The name of the novel comes from “the fifth column” meaning a group inside a larger group that supports an outside group or country. In this instance, the Fifth Column was the Nazi-sympathizers in the United States as World War II raged in Europe.

Mr. Gross takes you back to February of 1939 when more than 20,000 Nazis and Nazi sympathizers in khaki uniforms and waving Nazi flags gathered for a rally at Madison Square Garden in New York City. I hadn’t known about that, so I learned something right off the bat from the book’s introduction.

This novel tells the story of America’s hesitancy to get involved in World War II. Memories of “The Great War”/”The War to End All Wars”/World War I were still fresh from just a decade before. Some saw President Franklin D. Roosevelt’s “New Deal” programs as socialism. The much-celebrated American pilot Charles Lindbergh voiced pro-Nazi opinions. Germany was bombing London and stories of the abuse and murder of Jews in Europe were spreading across the Atlantic. Jews in New York City were being harassed. Families could go to Nazi-sponsored camps in New Jersey and on Long Island where children were taught the Nazi salute and Nazi doctrine. It was a time when people increasingly didn’t know whom they could trust.

The Fifth Column, by Andrew Gross rests on that background. It is a story brought to life by the author. The protagonist, Charlie Mossman, gets in over his head when he stands up for a Jewish bar owner when a group of Nazi thugs come into his establishment to make fun of him. Someone is killed and Charlie goes to prison.

When Charlie comes home from prison, his wife has created a new life for herself. Charlie soon becomes suspicious that his wife and young daughter’s neighbors in the apartment building are German spies. He goes to great lengths to find evidence to support his hunch.

The plot thickens after Charlie has a chance meeting with Noelle, a graduate student from France. Noelle says she knows people who can help Charlie. This seems too good to be true. Is it?

Although the plot unfolds in a predictable way, I enjoyed the book. The CD edition is read by Edoardo Ballerini. I continue to surprise myself by enjoying some audio books.

Since my last blog post

Yesterday afternoon I had the privilege of attending a birthday party for a man celebrating his 100th birthday. He is a mild-mannered man who fought in World War II and has been active in his church his entire life. He has inspired countless people to get involved in Habitat for Humanity by the example he has set for the last 40 years. It’s not often I am invited to a “Happy 100th Birthday” party! Happy 100th Birthday, Mr. William King McCachren, Sr.!

I continue to work my way through Chris Andrews’ writing “how-to” book, Character and Structure:  An Unholy Alliance. To read about that book, read my last blog post, https://janetswritingblog.com/2019/09/30/character-and-structure-by-chris-andrews/ and/or visit Mr. Andrews’ website, https://www.chrisandrews.me/.

Late in August, I purchased an online writing course by C.S. Lakin, “Emotional Mastery for Fiction Writers.” The link to that course sat on the back burner until several days ago. I think the course and Mr. Andrews’ book will dovetail nicely and help me to be a better fiction writer. I hope to finally start the C.S. Lakin course this week.

Until my next blog post

I hope you have a good book to read. I’m reading The Stationery Shop, by Marjan Kamali and Layover, by David Bell.

If you’re a writer, I hope you have productive writing time.

Thank you for reading my blog. You could have spent the last few minutes doing something else, but you chose to read my blog.

Let’s continue the conversation

What are you reading? What have you read recently that you’d recommend to others?

Janet

Character and Structure, by Chris Andrews

Character & Structure: An Unholy Alliance, by Chris Andrews

I ditched my original plan for today’s blog post yesterday afternoon after reading the first seven chapters of Chris Andrews’ new writing “how-to” book, Character & Structure:  An Unholy Alliance. The book was released on Friday. Since I’d preordered it for my tablet, it downloaded at 12:01 a.m.

Chris Andrews is an Australian fantasy author. He has much more experience than I have in writing fiction. He has helped me a lot on my journey as a writer.

This book is aimed at writers, but I can imagine a fan of fiction also reading it and getting a better understanding of what goes into writing a novel. Clue:  There’s more to it than typing.

In Character & Structure:  An Unholy Alliance, Mr. Andrews writes about how important it is for a novelist to reach his or her readers by getting them emotionally invested. You can write a book with perfect punctuation about a perfect person with a perfect life but, if you don’t write it in a way that prompts your reader to care what happens to this character, your novel will fail. Your character must face challenges and problems. Otherwise, no one will care.

The following are two quotes from Mr. Andrews’ book:

“Mastering the mechanics of writing doesn’t automatically provide the entertainment factor.”

“You’re the architect, so unless you’re building your story purely for yourself, you need to consider your audience.”

Character & Structure:  An Unholy Alliance reminds writers that readers come to a novel with certain expectations regarding structure. If a writer is going to deviate from the expected structure of a novel, he or she better be an outstanding writer to pull it off. Different genres adhere to set patterns or sequences of plot. Readers are uncomfortable with any deviation and book sales and reviews will reflect that.

As Mr. Andrews states early in the book, “This book will help you balance your story so the beginning, middle and end work to your advantage [and] create the emotional high and low points your audience expects.”

He addresses how authors approach the writing of a novel in different ways. Some writers are outliners, while others are “pantsters.” (Outliners map out their story before they write it. Pantsters write by the seat of their pants.)

Mr. Andrews writes, “One process favours emotion while the other is all about logic. You need to be a master of both and that means doing the things you don’t want to do.”

I’m an outliner. That doesn’t mean I adhere to the rigid way I was taught in elementary school to outline. When I’m plotting a story or novel, I outline with sentences and paragraphs, scene-by-scene. That’s what works for me, so my bigger challenge is mastering emotion.

Character & Structure:  An Unholy Alliance is the first writing “how-to)” book I’ve read that focuses on this important aspect of creative writing. I wish Mr. Andrews had written it a few years ago! As I continue to edit and polish the manuscript for what I hope will be my first novel, The Doubloon OR The Spanish Coin, I will keep the lessons learned from this book in mind as I work to put more emotion in my writing. If my readers don’t care about my characters, my book won’t be successful on any level.

Mr. Andrews states, “It depends on your own strengths and weaknesses, but whichever path you take the end game encompass character, conflict and a coherent and emotionally engaging structure that makes your audience feel what you want them to feel.”

Also, “Applying character to structure is an unholy alliance as far as many writers are concerned. Doing it well is the foundation of creating a long and successful career.”

Mr. Andrews’ book has helped me have a greater understanding of and appreciation for the necessity of a marriage between character and plot in a work of fiction.

In his book, Mr. Andrews gives questions that fiction writers should ask about their manuscripts in order to get insight into the stories they’re writing.

Here’s one last quote from Character & Structure:  An Unholy Alliance“Combining story (what happens to your characters) and structure (how it happens) means finding the answers that will help you emotionally engage your audience.”

Can you believe all that came just from reading the first two chapters of the book?

The book goes on to say a writer needs to put himself or herself in the place of a character and in the place of the reader. How will your story come across? What will make your reader care about your character(s)? Will your reader be satisfied with how the core problem your character faces is resolved? What’s at stake for your character?

In addition to giving us questions to ask about our manuscripts, he provides entertaining exercises for writers to do in order to consider how character and structure are presented in a variety of well-known novels. He challenges the writer to back off from their story’s details and to look at the whole story as the Norse God Loki could.

If you look at your story or manuscript as a whole and see a perfect world, you’re looking at a world that will bore your reader. That’s the last thing you want! Mr. Andrews then offers a list of things you need to answer or address regarding your book in order to – as we would say in a baseball analogy in the United States – “cover all the bases.”

That brings us to the end of the sixth of 32 chapters in Character & Structure:  An Unholy Alliance. I can’t wait to see how much I learn from the remaining 26 chapters! But don’t expect me to summarize the rest of the book for you. You need to buy it for yourself. It’s available in ebook and paperback format on Amazon.com.

If you’re a fiction writer, I recommend that you purchase it and slowly and thoughtfully work your way through it. That’s what I’ll be doing in the coming weeks. I trust my novel in progress will benefit greatly from the pointers in this book.

Since my last blog post

I enjoyed some wonderful time with three precious family members who live 300 miles away, so I don’t get to see them often.

Before and after their visit, I did a lot of reading.

Until my next blog post

If you’re interested in learning more about Chris Andrews and his novels, visit his website at https://www.chrisandrews.me/.

I hope you have a good book to read. I just finished listening to The Fifth Column, a historical thrilled by Andrew Gross and have started listening to The Stationery Shop, by Marjan Kamali.

If you’re a writer, I hope you have quality writing time.

Thank you for reading my blog. You could have spent the last few minutes doing something else, but you chose to read my blog.

Next Monday’s blog post will be about the other books I read in September.

Let’s continue the conversation

If you’re a writer, are you an outliner or a pantster? Do you find it easier to get the mechanics of a story right or do you prefer writing the emotion?

If you’re a fiction reader, does it upset you when an author deviates too much from the expected? For instance, if you like to read romance, does it upset you if a romance novel doesn’t have a happy ending? That’s what is meant by deviating from reader expectations.

Janet