Mark de Castrique’s Mystery Writing Workshop – Part 2

Today’s blog post is a continuation of my blog post on October 19, 2016, about Mark de Castrique’s Mystery Writing Workshop I attended last Saturday at Lanier Library in Tryon, North Carolina.

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Picking up where I left off on October 19, today I will start by talking about the first of two writing exercises we did during the workshop.

A Writing Exercise

The most challenging part of the three-hour workshop was the first writing exercise. Participants were instructed to do the following in 20 minutes:

  1. Create a character who was a police officer or detective
  2. Think of (or write, if we wished) a bio for that character
  3. Place that character in a single setting
  4. Write a narrative scene in first person
  5. End the scene just before a body is discovered.

Each of us read our work aloud. Mr. de Castrique gave everyone positive feedback. I was amazed at the talent in the room. Mr. de Castrique did a good job making us feel like we were in a safe, non-judgmental place. He put all of us at ease.

Carolyn Wheat’s Four Arcs of a Book

Mr. de Castrique recommended How to Write Killer Fiction, by Carolyn Wheat. Ms. Wheat says a book has the following four arcs:

  1. The beginning
  2. The middle
  3. The place where the detective in a murder mystery faces something that seem impossible to overcome
  4. The ending.

Mr. de Castrique described each arc. He talked about novel endings that work and endings that fail.

Amateur Sleuth

The next thing Mr. de Castrique addressed was putting an amateur sleuth in your book. He talked about the advantages and disadvantages of doing that.

Theme

Mr. de Castrique said the theme is “the thing in a book that will haunt you.” He cautioned us that a book can turn into a sermon if the author tries too hard to drive a point home. (He gave Stephen King credit for having said that, but I paraphrased it.)

Group Writing Exercise

The workshop ended with a group writing exercise. It was a great idea and should help me to think of future story ideas. We had to be in agreement on our choices throughout the exercise, but it would certainly work for a writer working alone. Here’s what we got to work through together:

  1. Select a closed setting, such as a shopping mall
  2. Select six individuals whose occupations would place them at that closed setting without other people being there
  3. Assign an age to each of the six characters
  4. Decide on a secret that each character has
  5. Which one gets murdered and which one is the killer?

Five Takeaways

Five points that I took away from the workshop are as follows:

  1. A good book is one where at the end you liked the world the writer created so much that you would read the book again.
  2. If you can take a scene out without hurting the story, it never should have been there to begin with.
  3. The reader should forget she or he is reading.
  4. Every reader brings his or her own life experiences to the reading of a book, so it’s no wonder that you might hate a book but someone else might say it is the best book they’ve ever read.
  5. When stumped on what to write about, I should refer to last Saturday’s group writing exercise.

After the workshop, Mr. de Castrique autographed my copy of his new book, The Singularity Race. It was an enjoyable afternoon and well worth the cost and time invested in attending the workshop.

Until my next blog post in a few days, I hope you have a good book to read and, if you’re a writer, I hope you have productive writing time.

Janet

 

My Writing Plan of Action Update

I blogged about my writing plan of action on January 18, 2015. It’s time to give you an update.

You may recall that my plan in January included goals for my anticipated book of vintage postcards from the piedmont of North Carolina. That book did not come to fruition, so my plan was revised. This is what it looks like today:

(1) Schedule book signings/author events (on-going);
(2) Continue to blog every 5 days or so;
(3) Continue to search for writing contests to enter or magazine articles to write (on-going);
(4) Set aside one day each week to edit my historical novel manuscript, tentatively titled, The Spanish Coin, (until I get it polished as much as I can); and
(5) Start in earnest to find a literary agent to represent me and my novel.

I continue to try to schedule book signings and other author events. The only one I have on my calendar this summer is at the J. Hoyt Hayes Memorial Troutman (NC) Branch Library on August 27. With our house being remodeled during the next several weeks, I did not want to schedule any events until later this summer. It’s not like people are beating a path to my door begging me to come speak about my vintage postcard book, The Blue Ridge Mountains of North Carolina! I did not want to schedule any events in June or early July. I didn’t have any requests for that time period, so it worked out fine.

Originally, I thought I needed to blog daily. I came to realize that no one wanted to hear from me every day. My writing life is not that compelling. I adjusted my plan to blog every five days or so, but I will not blog just for the sake of blogging.

I continue to work on stories to submit to writing contests, although I haven’t produced any winners yet in 2015. I wrote a creative nonfiction piece about my 4th and 5th great-grandmothers for the GENEii writing contest sponsored by the Southern California Genealogy Society. I entered a contest in which the prize was to have an entire manuscript evaluated by Barbara Kyle, but I didn’t win that one either. I entered “The Other Woman,” a 1,000-word short story in the Bevel Summers Short Story Prize competition sponsored by Shenandoah Literary Review, but I learned a couple of weeks ago that it did not make the final round of judging. Such is the life of a writer, but at what point does it become counter-productive to keep entering writing contests and not winning or placing? There were more than 1,000 entries in the Bevel Summers competition. My story was eliminated going into the third round of judging. No time spent writing is wasted; however, I must be selective because most contests have an entry fee. Getting no constructive feedback from writing contests is a drawback. My money might be better spent in getting my novel manuscript evaluated by a professional.

We’re down to number four on my plan. This is where the wheels begin to fall off my wagon. I thought it would be easy to set aside one day each week to edit and revise the manuscript of my historical novel, The Spanish Coin. I have failed to discipline myself to accomplish that. I have worked on it for a few minutes here and there, but that is a terrible way to approach such work. I must block out at least an hour or more on a regular basis to do it justice. Being surrounded by the noise of a remodeling project is not conducive to any form of writing, especially something as important as a novel. Until I get number four under control, I can’t move on to number five.

A written plan for my writing makes me accountable. I’m a discouraged at the moment, but I will keep writing. It’s what I love to do!